| Charles Lewis Tiffany, founder of Tiffany & Co. | | | | Company, Associated Arts provided stained glass |
| in 1837, succeeded in providing the wealthy with | | | | windows for private and public buildings. |
| classic handcrafted silver jewelry. The familiar blue | | | | Fascinated by ancient Roman and Greek glass that |
| box and white ribbon continues to be the staple for | | | | had been recovered by archaeologists, Tiffany's |
| Tiffany & Co., enticing buyers since the | | | | pursuit to duplicate an iridescent finish became his |
| beginning, attracting luminaries such as Queen Victoria | | | | obsession and by 1880 he had applied for several |
| of England, and continues to keeps with Tiffany's | | | | patents on this type of finish. |
| vision of beautiful, enduring pieces of jewelry. | | | | Tiffany's design of stained glass windows became |
| Tiffany's son, Louis Comfort Tiffany didn't live in his | | | | increasing popular and he came up with an innovative |
| father's shadow; in fact, he prospered in the artistic | | | | idea to use the bits of glass left over to create |
| realm, with stained glass artwork and mosaics. He | | | | stunning Tiffany lamps. During a job lighting the first |
| was born on February 18, 1848 in New York City, | | | | ever movie theater, Tiffany collaborated with |
| and it wasn't long before he strayed from the family | | | | Thomas Edison. Surging together with Edison, the |
| business. | | | | two designed electric lamps. This great collaboration |
| Tiffany began his apprenticeship under American | | | | influenced Tiffany to continue creating lamps, and his |
| landscape artist George Inness in 1866 at the age of | | | | mini stain glass designs took the nation by storm. |
| 18, absorbing the concepts of composition, color and | | | | Tiffany Lamps were either designed by Tiffany |
| technique. In his 20's, he had the opportunity to | | | | himself or by artists that were fully under his |
| travel Europe, the Middle East and Northern Africa. | | | | supervision, and with superb craftsmanship. |
| Fortunately, due to his family's wealth, he was able | | | | During the 1930's and 1940's the reputation of |
| to visit Europe more than once between 1865 and | | | | Tiffany Style Lamps succumbed to the popular Art |
| 1872. It was during these trips, that Tiffany | | | | Moderne and Expressionism styles. Tiffany Lamps |
| developed a love and interest in Islamic architecture, | | | | were thought too ornate for the emerging |
| Moorish and Romanesque artwork and Japanese | | | | décor, and it wasn't until the 1950's that the |
| ceramics. | | | | lamps became popular again. Antique collectors and |
| His studies in stained glass began in 1872 at the age | | | | museums popularized the mosaic beauties once again, |
| of 24. Upon returning to America, he started | | | | and in 1998 two lamps sold for nearly 2 million dollars |
| experiments with iridescent glass by combining | | | | apiece. |
| heated glass, fumes and metallic oxides. These | | | | Groundbreaking, with a true love of his craft, Louis C. |
| experiments were done jointly with painter John La | | | | Tiffany's lighting concepts are still admired today and |
| Farge; Tiffany and La Farge studied the practice of | | | | an original Tiffany lamp remains a valuable possession. |
| glass making at the Heidt Glassworks in Brooklyn, | | | | With his passion for color, the outdoors and |
| New York. | | | | illumination, Tiffany turned the light on for a nation, |
| In 1879, Tiffany founded the Louis C. Tiffany | | | | showing elegance through inspiring chips of glass. |